Review of Elizabeth Einspanier’s ‘Sheep’s Clothing’

Elizabeth Einspanier’s tale Sheep’s Clothing is a short, concise, and to-the-point representation of vampires in the Old West. Oh, and there’s a skinwalker, fighting to free a love lost to him.

I’m not normally a big vampire reader (I wasn’t much into them before and, I’m sorry, but Twilight absolutely ruined any desire I had to read/watch something with vampires or werewolves), but I was very happy to see that the bloodsuckers in Sheep’s Clothing were the more traditional ones: they sleep in coffins, are weak to crucifixes and other holy items, stake through the heart, ect… Elizabeth clearly did her research on vampiric legends of old.

And, instead of bringing in a traditional werewolf, she drew upon tales of skinwalkers that can take the form of any animal—only the protagonist in this one is a half-breed, so a wolf is his only form.

Weird Western is most certainly an apt category for this story. A frontier doctor, recently taken up residence in the small town of Salvation provides a rather delightful setting for the weird happenings about to take place.

The one major problem I had with the way things unfolded was how receptive, understanding, and easily people believed in the tales and legends of vampires being real. It boiled down to the doctor being able to walk up to anyone, say ‘there’s a vampire running amok,’ and get the response ‘oh, okay. What do you need?’ It made things too easy and created very little struggle for the doctor and his companions to save Salvation from the claws of this unholy terror and it made Sheep’s Clothing fall short of the epicness it could have contained.

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